Make-Up Designory September 2019 - July 2020, Burbank, CA 91502

• Masters in Make-Up Artistry, including natural/beauty make-up, hairstyling, special effects make-up, and the creation of prosthetics.

Thunder Mountain High School August 2014 - May 2018, Juneau, AK 99801

Night’s Journey Into Dawn - Film, June 26th, 2026, Downtown Los Angeles, CA

• My role as a SFX Makeup Artist involves handling blood splatter effects using a pressurized pump sprayer and a gallon of fake blood. I crouched behind the chair while the actor faced me, pretending to hit the “victim” on the chair. I began with a light spray, gradually increasing the amount of blood, and then the splatter slowly subsided, following the rhythm of the actor’s hitting action. We did two takes, at first take was opposite direction from the hitting position. For second takes, I sprayed from same direction where the hammer hitting position were. We attempted two takes. Initially, the first take was taken from the spraying effects in the opposite direction of the hitting position. For the second take, I sprayed from the same direction as the hammer’s hitting position.

Make-Up Designory’s Live Demo  - Monsterpalooza 2026, May 31st, 2026, Pasadena, CA

• I meticulously designed a unique creature, a demonic goat named Voz’gimon. Over a period of approximately two months, I meticulously ventilated a back piece using crepe wools. Additionally, I crafted a fur headpiece by gluing crepe wools onto a rubber latex base and incorporating a small triangular swiss lace for a realistic effect. In collaboration with Shay Sausser, we meticulously prepared the colors, costumes, and nail press-on designs. Furthermore, we pre-painted all prosthetic pieces to optimize the application process on the day of the event.

AFTERGLOW - Fae Pictures NY INC., April 24th & 26th, 2026, Sun Valley, CA

• In my capacity as the Key Makeup Artist for this overnight project, I collaborated closely with the director, Arden Grier, and the producer, Rosslyn Luke, as well as the Key Hairstylist, Ashley, to develop a cohesive visual identity for the project. I conceptualized four distinct high-editorial, vibrant glam makeup looks tailored to our four primary characters. My assistant, Mike Hope, assisted me with touch-ups and preparing the actors’ skin, while a portion of the makeup looks were transferred to my chair for the completion of the entire makeup application.

Out By Christmas  - Maverick Film, LLC, April 18th - 19th & April 24th - 27th, 2026, Los Angeles, CA

• I worked as an assistant hair and makeup artist under Marianne Beer, the Head of the Makeup Department. My primary focus was on a couple of main actors, and I closely monitored the monitor, doing touch-ups between takes. Additionally, I would step in to help with hair while Marianne was doing makeup looks.

A Royal Christmas Switch - Maverick Film, LLC, February 10th, 2026, Los Angeles, CA

• I worked as an assistant hair and makeup artist under Marianne Beer, the Head of the Makeup Department. My primary focus was on a few actors, and I closely monitored the monitor, doing touch-ups between takes. Additionally, I designed a few natural beauty makeup looks for additional female actors and a couple of natural grooming makeup looks for male actors.

What About Us: Deaf Education in Crisis - Documentary, January 24th-25th & March 29th, 2026, Los Angeles, CA

• As head of the Makeup Department, my responsibility was to ensure the host/director, as well as the interpreter and some guest speakers, looked camera-ready. I would also be standing by watching the monitor, jumping in whenever I needed to alter the hair a little bit or touch up the host's makeup a little bit.

All That Stayed Behind  - American Film Institute, November 15th - 16th, 2025, Los Angeles, CA

• As Head of the Makeup Department, I had several meetings with the director, Austin Kwok, and the producer, Stori Ayers, based on the storyline and characters. I designed a couple of looks for the two main characters, Ah Ma and Ah Ping, for two different parallel storylines. Additionally, I would be on standby to spray some water onto Ah Ping for a sweaty scene and provide touch-ups during the filming process. 

Halloween Horror Nights 2025  - Universal Studios Hollywood, August 23rd - November 2nd, 2025, Los Angeles, CA

• My role as a Quickline artist for the Fallout maze involves creating quick 15-minute makeup looks for scare actors. I’ve also done a few sit-down prosthetic makeup applications. Additionally, I assist in braiding scare actors’ hair to prepare for wigs, help sit-down makeup artists remove prosthetics, and set up removal stations for scare actors. 

El Camino by Simone Rose - Music Video, October 4th, 2025, Los Angeles, CA

• I was a key special effects makeup artist on this project. I collaborated with Ash Rodriguez to design a custom stencil of “El Camino” in cursive fonts. On set, I applied lashes duo glue to lay down the stencil letters onto Simone’s chest. Then, I used EBA alcohol “burnt sienna” like a sunburn tone to airbrush around the chest and shoulder for a few layers. Finally, I slowly removed the stencil and applied BenNye Final Seal on top.

Exit Strategy - Short Film, September 16th, 2025, Los Angeles, CA

• I was an assistant hair and makeup artist under Marianne Beer, the Head of the Makeup Department. My primary focus was on a few actors, as well as watching the monitor and making touch-ups between takes. I applied light beauty makeup to Candice “Lauren Boone,” then enhanced it with a bit more makeup and changed the colors. I also re-did the hairstyles to match the four different eras. 

The Kid and The Call Girl  - Short Film, August 30th - September 1st, 2025, Los Angeles, CA

• I worked as a hair and makeup artist, where I created several distinct looks for different characters. For Lexi's character, who played a hired prostitute, I designed a sensual, bold red lipstick makeup look and styled her hair in messy, wavy curls. For Marissa's character, I created a "mom prostitute" makeup look featuring a glossy lipstick in a pinkish-brown sugar shade, complemented by light smoky eyeshadow. I finished her look with a French twist hairstyle adorned with diamond hair clips. Additionally, I developed a natural grooming makeup look for Ethan’s character.

The Break Room Incident  - Thesis Film, August 8th, 2025, Los Angeles, CA

• I was a key hair and makeup artist. I created three futuristic, natural, different hairstyles and makeup looks for three main characters: Janitor, Office Worker, and Security. I also touched up the corrections and powdered their faces throughout the day.

Ty Myers  - Music Video, May 19th, 2025, Los Angeles, CA

• I was an assistant makeup artist under Marianne Beer, the Head of the Makeup Department. First, I focused on doing hair and makeup on all 9 of the extra actors, and then I would jump around doing light correctives and touch-ups with bronzer on extra actors on set. While Marianne touches up Ty's makeup and hair and the main actress Veronica's hair, I changed two extra actresses' hairstyles and makeup looks for different scenes before heading out to another location.

Captain Marisol & The Peach Tree  - American Film Institute, May 3rd - 4th, 2025, Los Angeles, CA

• As Head of the Makeup Department, I had a couple of meetings with the director, Sahej Nandrajog, and the head of the art department, Alyssa, and the cast based on the storyline and characters. I did light corrections along with powders onto Soleila Shea for her character (Marisol). I also had her hair in a ponytail and a bandana. For Mateo Ray Garcia, his character (Luis), I did light foundation/moisturizer base and the powders, I also used a wide-tooth comb to give his hair more volume. I created a “grandma” makeup look with brown/orange eyeshadows along with light pink lipstick on Alejandra Flores for her character (Abuella Celia),  as well as I used Kryolan grey color hairspray to give the gray/white-ish hairstyle.

New Order  - American Film Institute, April 26th -27th, 2025, Los Angeles, CA

• I met with the director, Kaylin, and the producer Jingxin about the storyline and the specific two characters (Eve and Olivia) similarities makeup and hairstyles among the four actresses. I used a long black wig on an actress, Asia Moon, for her “twin” character as (Eve). I also braided three rows of underbraids into one bubble ponytail. I did dark brown/reddish smokey eyeshadow along with black eyeliners on Iris Feng (Eve), and her hairstyle was similar to Asia’s black wig. For (Olivia’s) actresses, I did four buns hairstyles on Clover Hong for her “twin” character as (Olivia), I also did light brown/pinkish smokey eyeshadow along with dark brown eye pencil as eyeliner on Sabrina Jenshing Liu as (Olivia). Following the storyline, I would also swap out the buns on Sabrina’s hair from two vertical buns to four buns.

The Keeper Lullaby  - American Film Institute, April 19th - 20th, 2025, Burbank, CA

• As Head of the Makeup Department, I had a several meeting with the director Rachel Deutsch, the producers, head of art department, and the casts based on the storyline and characters. I sculpted “The Keeper” face in two pieces of silicone prostithics, as well as pre-painted silicone hands, face pieces, and I also asked one of my esthetician friend to customs press-on nails for “the keeper” character. Then I application all prostithics on filming days. I also did a small pieces of the injury transfer prostithics on the left cheek toward the nose, I created an scar across the neck and little blisters around right temple of the face on “Timonthy” character. I also did natural correction onto “Cassie” character as well bump up to glam makeup look for dancing scenes.  

Spin To Win  - American Film Institute, April 12th -13th, 2025, Los Angeles, CA

• I did natural male grooming makeup onto all the guards as well as styled their hair into various neat hairstyles. I did light corrections onto a few extras, and I also a beauty makeup onto Maria the character of “mother”, then I lightly curled her hair, and into a messy low bun. During downtime I would watch the monitor and do touch-ups spray sweat onto all extras.

My Mile-High Obsession  - DramaBox, March 25th - April 2nd, 2025, Los Angeles, CA

• I was an assistant makeup artist under Marianne Beer, the Head of the Makeup Department. We focused on a few main actors first, and then I would jump around doing light correctives and powders on actors and background extras on set. I watched the monitor all day, doing touch-ups in between takes.

Not By Choice  - New York Film Academy, March 8th - 9th, 2025, Los Angeles, CA

• This project combines beauty and special effects. At the beginning of the storyline, the actress Claire(Eve)  looks very healthy and tidy, then slowly starts to look tired, with light bags underneath her eyes, and pale skin. Later on, Claire starts to get so weak and looks emaciated with depth shadow and highlights to make it look realistic.
  

This Too Shall Pass  - American Film Institute, March 1st - 3rd, 2025, Agua Dulce, CA

• As the Head of the Makeup Department, I met with Kai Pooler to discuss the Jewish camper storyline, the makeup looks, and the vomit scene. I did mostly natural corrective makeup looks along with a tad of dirt, sweats, and styling hairstyles. I also created a vomit with a few of the food's ingredients (ingestion safe) so the actor could hold it in his mouth and have it naturally fall out of his mouth.

Bad Luck Wedding  - American Film Institute, February 22nd & 24th, 2025, Los Angeles, CA

• I talked directly with the director about the script and characters. I also discussed makeup looks with my assistant Mattea Ghaffery on the first day of filming. We both created natural beauty makeup along with half-up and half-down curly hair for the main character (Qinwen the bride). We also did a natural male grooming on Austin the groom, and a natural male grooming on the best man Scott, as well as fake neck, and hand alcohol-based temporary tattoos.

Field Party - American Film Institute, February 1st - 3rd, 2025, Fillmore, CA

• I had a several meeting with the director Rachel Deutsch and the producer Jana about the serious 2008 storyline along with multiple characters' makeup/hairstyles looks. I created multiple natural beauty makeup and hairstyle looks for two main characters - Ashley (Caige Coulter) as well as couples minimum natural beauty makeup and hairstyling on Nona (Ronni Hinch) including a little bit of special effects makeup. I freehanded painted fresh bruises on Nona’s arm/hand and shoulder as well as scrapped her knee with fresh blood.

What About Us Deaf Education in Crisis  - Documentary, January 7th & February 22nd, 2025, Los Angeles CA

• As head of the Makeup Department, my responsibility was to ensure the host/director, as well as the interpreter and some guest speakers, looked camera-ready. I also would be standing by watching the monitor, jumping in whenever I needed to alter the hair a little bit or touch up the host's makeup a little bit.

Secret Muse - Short Film, January 4th, 2025, Los Angeles CA

• Head Special Effect Makeup Department for this project. I had a couple meeting with the director to discussed about “leathery-look alike” prosthetics. I ended up using realistic leather gloves and cuts those up into some smallest to large sizes “veiny-strips” pieces so I could applied around the actor’s hands to make it looks like the leathers is taking over.

Fan Fest Night Photoshoot  - Universal Studios Hollywood, December 14th, 2024, Los Angeles, CA

• I was a special effects artist and assistant to Gabriella LaFleur during the overnight photoshoot for Fan Fest’s merchandise and food lifestyle. My focus was on Star Trek Vulcan ears. I also helped with other makeup looks based on their themes and touched up on the location around the park.

Anything Without You - American Film Institute, November 24th, 2024, Los Angeles CA

• Afternoon half-day 1950’s black and white filming project. I discussed with director Rachel Deutsch about the storyline with multiple makeup changes looks. I did 1950s vintage brush-out curls hairstyles, along with 50’s natural makeup looks with red lips and glossy lips, and light pink lipstick (makeup changes each scene) on the main character Clementine (Anja Racić). I did very light male correction grooming on another main character Joel (Peter Winkelmann) as well male 1950s era hairstyle with some of his natural curls hanging off on the right side of his face above the eyebrow, with gels slick rest of his hair back

Yannick and the Crow - American Film Institute, November 24th, 2024, Los Angeles CA

• Half-day black and white filming project. As a head makeup artist, I did male grooming on our lead actor Yannick (Vj Kesh), I also added some grey/blackish onto his white beard to make it pop in a black and white film. As well as touches up powders throughout the morning. I also added some fake blood onto “crow” props (for the crow to “crash” into the window scene.

Healing - American Film Institute, November 9th-11th, 2024, Los Angeles CA

• Head Makeup artist for this film. I discussed with Producer Yoona Yiqian Wang and Director ShengJ Yang about the storyline and makeup looks for each scene. I sketched “messy/ insane” hair and makeup looks for a specific scene of a burning down building. I also touch up all four lead actors during the day. I also curl two lead ladies ’ actors’ hair at the beginning of the day on set and touch up curls post-lunch.

Dirty Dishes - American Film Institute, November 4th, 2024, Los Angeles CA 

• Last minutes gig, showed up on wrap day with copies of continuing photos of the lead actors. I copied exact hairstyles and natural makeup looks from the pictures that were given to me by the productor and hair & makeup artist, I also touched up here and there on set during the day.

Day Of The Dead - Weary Livers Bar, November 1,  2024, Santa Monica,  CA

• I assisted Marianne Beer in doing sugar skull face painting. We had three papers with pictures showing a few different types of sugar skull face painting looks. We also discussed with all clients which sugar skull, colors, and whether they wanted a half-face or a whole face.

Horse Killer - 48 Hours Film Festival, October 26, 27th, 2024, Sylmar, Los Angeles CA

• Key Special Effect Makeup Artist Position. I did six natural makeup applications on all six actors, as well as one lead actor (Andres Losoya). I also added specks of dirt and some types of blood around the throat and arms, along with deep dark-tone cream on top of liquid blood to give it a realistic look.  I also prepaint a prosthetic leg into it looks like it's been chopped off and bloody.

No Beds Available - American Film Institute, October 12-14th, 2024, Los Angeles 

• Hair & Makeup artist for black and white film project. I discussed with the director Danting Chen about the characters and storyline. I created two makeup/hair looks for lead actors Andrea (Tepeyolotzin Ana Saldana) with tight slick-back high hairbun. Rita (Erica Ortega) with curly hair down and some white paints onto roots. Both makeup has little opposite color lipstick, eyeshadows, and highlights/blush tones for black and white film. I also did a few background actors corrections/powders little bits to help their bone structures pop in black and white.

Fleur Pour LA Dame - Short Film, October 4th, 11th, and 25th 2024, Santa Monica, CA 

• My position was Hair & Makeup, and my main focus was on two lead characters.  I did a white base on Fantôme (Monroe Black) upper body and face along with a couple of black graphic eyeliner. I straightened out a lace front wig, applied it onto Undertaker (Jett Black), and did a heavy dark tone of bags underneath the eyes.

QueerX Awards 2024 - RevryTV, September 15, 2024, Los Angeles, CA 

• I assisted Gabriela Banda the Head Makeup Department. My main focus was to watch both hosts Daniel Franzese, Percy Rustomji, and musician Zee Machine, & his band makeup and do touch-ups with powder puffs/towels to dry off sweat and powders with translucent powder.

Raffie Howard’s - Quinceanera Birthday Party, August 25, 2024, Burbank, CA 

• I worked with Alexa Althen, consulting with Kat, Clint Howard, and their daughter Raffie for Raffie’s quinceanera makeup looks. Alexa did two makeup tests on Raffie and I sketched makeup looks onto face charts - and had Raffie approve a couple of glam makeup looks. We also planned out 8 stations for Raffie and her guests, along with a few ready-to-go touches-up bags.

Freddy Kruger - Fine Dining Podcast, August 18, 2024, Burbank, CA 

• I created/molded two bald caps from scratch, and pre-paints a couple of prosthetics. Alexa Althen and I were tag-team doing the Freddy Kruger onto the host Michael and his special guest.  We applied, smoothed out the edges, and filled in the colors. Did some touches-up after they ate “dinner”.

Poppy - 48 Hours Film Festival, August 2-4, 2024, Los Angeles, CA 

• This is a competitive film festival, I am the Head Make-Up Artist for this project. I worked alongside the director Kyle Huerta and Assistant Director Alexis Salem, to discuss the genre and read over the script together. I created a natural “masquerade” everyday makeup look for the lead character (Poppy  Huffman), and redness around under the eyes including some sweat sprayed onto the face of the co-lead character (Colton Huffman).

Hoop Boy: Flowstriker - Web-Series Pilot, July 14, 2024, Pasadena, CA 

• My position is Key Speical Effect Makeup Artist. I freehand created a fresh bruises onto left temple on face including with some blood drooping down. I designed and test run few injuries looks based off the script and discussion with the director Joshua Mesnik about what we wanted in the  film. I also did little bit of hair too, dutch braids onto (Zach) a lead character and half up in tight ponytail and half down curly/wavy for (Jessaria) second lead character. 

HUNTER - Horror Short Film, June 15, 2024, Los Angeles, CA 

• I discussed with a director a couple of weeks before the filming and planned out the special effects fx makeup looks. I applied a swollen eye prosthetic onto the killer, including dirty scars/blisters all over both arms. I also used a gallon of blood for splatters, all over the main character Daphne’s dress. I also created several small stabbing injuries(cuts) around Hunter's chest/stomach with 3rd degree silicone and thick blood/liquid blood.

Clint Howard’s Characters -Clint Howard’s Surprise Birthday, April 20, 2024, Burbank, Los Angeles, CA 

• Clint Howard’s wife Kat Howard found me and told me all her incredible surprise ideas for Clint. I worked along with Alexa Althen, we were both key makeup artists on this project, planning out all the characters' look-alike makeup of Clint from a few of his iconic movies. I recreated Mr. Baggy Britches' makeup look from the “3 From Hell” movie. I also started doing Rughead from “The Wraith” hair then Alexa finished off with the basic corrections and shading. 

CASA - CSUN CTVA Thesis Film, March 21 -24 & April 5-7 & 12, 2024, Mailbu, Los Angeles, CA 

• My position was Head Makeup Department. I had three assistants worked along for me. I would create few specific drag/beauty make-up looks for a lead character (Virginia) and create a minimal burn (SFX) for left hand on a lead character (Brigham) and male groomings makeup looks following the scripts. I had my assistants do mostly touches-up and do extras actors makeups looks. I would also mentor my assistants doing couple main characters actors makeup looks too.

Miss Saskatoon 1988 - Amcerican Film Institute, March 23rd & 24th, 2024, Los Angeles, CA 90027

• My position was Hair & Makeup Artist. I was provided with a mood board from the producer. There were a specific character they assigned me to focus on mostly which is 80’s Punk (Raven), I did base and thick black eyeliners along with black glossy shine lipstick. I also assist with touches up on other main characters too on set.

Menthol - Short Film, March 16, 2024, Longwood Ave, Los Angeles, CA 90019

• My position was Key Makeup Artist. I was provided with a mood board from the director. There were six makeup applications, I created a specific everyday stylish queer look on a lead non-binary actor and also did a rougher drug addict look on another lead actor. Also did light corrections onto four extra background actors. 

Turkey Medicine - Short Film, March 15 -17, 2024, La Crescenta, CA, 91214

• I was a Key Makeup Artist on a short film for Turkey Medicine for all filming days March 15 and 17th. I sat down with the director and spoke about makeup look plans, I did natural beauty/male grooming on three lead actors and applied a turkey wattle foam prosthetic onto one of the lead actors. 

NCL Fashion Show - The Casino, San Clemente, CA 92672 - March 10, 2024

• I followed the inspiration board that was given to me by the producer of the fashion show. I did natural glow beauty with light tones eyeshadows/ full face makeup looks on three models.

Lady Ducks Fashion Show - The Westin Anaheim Resort, Anaheim, CA 92802 - March 4, 2024

• This is the foundation for Anaheim Ducks hockey along with Children’s Hospital of Orange County. I did touch-ups and applied lipsticks on a few lady ducks models, I also did light beauty makeup and hairstyling on a couple of children from the hospital.

Spit Me Out - Santa Clarita, CA - February 28, 2024

• I was an assistant for the Head Make-Up Artist Gabriela Banda for The Barn Movie Musicals short film on the third days of shooting. My responsibility was to do black eyeliner fading into cobalt blue under the eyes of the background dancers’ eyes. I also did a few natural makeup looks on a couple of background extras.

The Quinceanera Killer - Los Angeles, CA - January 13 - 25, 2024

• I was intern for Head Make-Up Artist Marianne Beer for a Lifetime movie at variation locations in Los Angeles from January 13th - January 25. I would do a few of the guest actors’ makeup, clean brushes, and organize the makeup room.

Boy Scouts Disaster Drills - Pacific Palisades, CA 90272 - December 10, 2023

• This was an emergency training for Boy Scouts includes fireman, officers teaching them. I did two amputated legs on youth boys and a third-degrees burns on youth girl both forearms, following the storylines that was given to me by directors and head of makeup.

Dancing with Imagine LA Star - Old Sayers Club, Los Angeles, CA 90028 - November 15, 2023

• I was assigned to work with three ballroom dancers by the director. I consulted with my clients regarding the type of makeup they wanted and did two smokey eyeshadow makeup looks and a male grooming makeup.

Nordstrom NCL Fashion Show - Costa Mesa, CA 92626 - November 12, 2023

• I did a natural glow beauty makeup look on nine models. I followed the request that was given to me by the director and the model’s makeup adjustment requests too.

Nordstrom NCL Fashion Show - Long Beach, CA 90802 - October 15, 2023

• I did five models' makeup/hair regarding the makeup that was given to me by the director and model's makeup requests too. Also, touch up their makeup quickly right before they go onto the stage.

Film Festival - Burbank Mall, Burbank, CA 91502 - September 23, 2023

• This was a demo gig, for all directors/producers. I bought my own model and created my own special effects FX burn victim look made out of 3rd Degree (silicone modeling compound)

Cat Dail’s Music Video - Can’t Buy Love (Stu Brooks Remix), Los Feliz, Los Angeles, CA 90027 - May 13, and 14, 2021

• I was an assistant for Gabriella LaFleur on set. I would help with touch-ups, clean brushes, prepare some products for her, and hold the lights or a fan.

Nutcrackers - Alex Theatre, Glendale, CA 91203 - December 15, 2019

• I did the dancers' makeup looks that were given to me by the Director and ensured they were ready for performance.